Archive for June, 2015

John Dos Passos: What was the good of stopping the war if the armies continued?


Anti-war essays, poems, short stories and literary excerpts

American writers on peace and against war

John Dos Passos: Selections on war


John Dos Passos
From Three Soldiers (1921)


“Home…I won’t never go home,” said the undertaker when the noise had subsided a little. “D’you know what I wish? I wish the war’d gone on and on until everyone of them bastards had been killed in it.”

“Which bastards?”

“The men who got us fellers over here.”


He wondered if he would ever be free again to walk at random through city streets. He stretched his legs out across the floor in front of him; strange, stiff, tremulous legs they were, but it was not the wounds that gave them their leaden weight. It was the stagnation of the life about him that he felt sinking into every crevice of his spirit, so that he could never shake it off, the stagnation of dusty ruined automatons that had lost all life of their own, whose limbs had practised the drill manual so long that they had no movements of their own left, who sat limply, sunk in boredom, waiting for orders.


His life would continue to be this slavery of unclean bodies packed together in places where the air had been breathed over and over, cogs in the great slow-moving Juggernaut of armies. What did it matter if the fighting had stopped? The armies would go on grinding out lives with lives, crushing flesh with flesh. Would he ever again stand free and solitary to live out joyous hours which would make up for all the boredom of the treadmill? He had no hope. His life would continue like this dingy, ill-smelling waiting room where men in uniform slept in the fetid air until they should be ordered-out to march or to stand in motionless rows, endlessly, futilely, like toy soldiers a child has forgotten in an attic.


Andrews was telling himself that the war was over, and that in a few months he would be free in any case. What did a few months more or less matter? But the same thoughts were swept recklessly away in the blind panic that was like a stampede of wild steers within him. There was no arguing. His spirit was contorted with revolt so that his flesh twitched and dark splotches danced before his eyes. He wondered vaguely whether he had gone mad. Enormous plans kept rising up out of the tumult of his mind and dissolving suddenly like smoke in a high wind. He would run away and if they caught him, kill himself. He would start a mutiny in his company, he would lash all these men to frenzy by his words, so that they too should refuse to form into Guns, so that they should laugh when the officers got red in the face shouting orders at them, so that the whole division should march off over the frosty hills, without arms, without flags, calling all the men of all the armies to join them, to march on singing, to laugh the nightmare out of their blood. Would not some lightning flash of vision sear people’s consciousness into life again? What was the good of stopping the war if the armies continued?


He thought of the swell undertaking establishment, of the black gloves and long faces and soft tactful voices. That man and his father before him lived by pretending things they didn’t feel, by swathing reality with all manner of crepe and trumpery. For those people, no one ever died, they passed away, they deceased. Still, there had to be undertakers. There was no more stain about that than about any other trade. And it was so as not to spoil his trade that the undertaker had enlisted, and to make the world safe for democracy, too. The phrase came to Andrews’s mind amid an avalanche of popular tunes; of visions of patriotic numbers on the vaudeville stage. He remembered the great flags waving triumphantly over Fifth Avenue, and the crowds dutifully cheering. But those were valid reasons for the undertaker; but for him, John Andrews, were they valid reasons? No. He had no trade, he had not been driven into the army by the force of public opinion, he had not been carried away by any wave of blind confidence in the phrases of bought propagandists. He had not had the strength to live. The thought came to him of all those who, down the long tragedy of history, had given themselves smilingly for the integrity of their thoughts. He had not had the courage to move a muscle for his freedom, but he had been fairly cheerful about risking his life as a soldier, in a cause he believed useless. What right had a man to exist who was too cowardly to stand up for what he thought and felt, for his whole makeup, for everything that made him an individual apart from his fellows, and not a slave to stand cap in hand waiting for someone of stronger will to tell him to act?

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H.G. Wells: No more talk of honour and annexations, hegemonies and trade routes, but only Europe lamenting for her dead


Anti-war essays, poems, short stories and literary excerpts

H.G. Wells: Selections on war


H.G. Wells
From Mr. Britling Sees It Through (1916)

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If you think that these two boys have both perished, not in some noble common cause but one against the other in a struggle of dynasties and boundaries and trade routes and tyrannous ascendancies, then it seems to me that you must feel as I feel that this war is the most tragic and dreadful thing that has ever happened to mankind.

He sat thinking for some minutes after he had written that, and when presently he resumed his writing, a fresh strain of thought was traceable even in his opening sentence.

If you count dead and wounds this is the most dreadful war in history; for you as for me, it has been almost the extremity of personal tragedy…Black sorrow…


He was no longer writing to the particular parents of one particular boy, but to all that mass of suffering, regret, bitterness and fatigue that lay behind the veil of the “front.” Slowly, steadily, the manhood of Germany was being wiped out. As he sat there in the stillness he could think that at least two million men of the Central Powers were dead, and an equal number maimed and disabled. Compared with that our British losses, immense and universal as they were by the standard of any previous experience, were still slight; our larger armies had still to suffer, and we had lost irrevocably not very much more than a quarter of a million. But the tragedy gathered against us. We knew enough already to know what must be the reality of the German homes to which those dead men would nevermore return…

If England had still the longer account to pay, the French had paid already nearly to the limits of endurance. They must have lost well over a million of their mankind, and still they bled and bled. Russia too in the East had paid far more than man for man in this vast swapping off of lives. In a little while no Censorship would hold the voice of the peoples. There would be no more talk of honour and annexations, hegemonies and trade routes, but only Europe lamenting for her dead…

The Germany to which he wrote would be a nation of widows and children, rather pinched boys and girls, crippled men, old men, deprived men, men who had lost brothers and cousins and friends and ambitions. No triumph now on land or sea could save Germany from becoming that. France too would be that, Russia, and lastly Britain, each in their degree…


Our boys, he wrote, have died, fighting one against the other. They have been fighting upon an issue so obscure that your German press is still busy discussing what it was. For us it was that Belgium was invaded and France in danger of destruction. Nothing else could have brought the English into the field against you. But why you invaded Belgium and France and whether that might have been averted we do not know to this day. And still this war goes on and still more boys die, and these men who do not fight, these men in the newspaper offices and in the ministries plan campaigns and strokes and counter-strokes that belong to no conceivable plan at all. Except that now for them there is something more terrible than war. And that is the day of reckoning with their own people.

What have we been fighting for? What are we fighting for? Do you know? Does any one know? Why am I spending what is left of my substance and you what is left of yours to keep on this war against each other? What have we to gain from hurting one another still further? Why should we be puppets any longer in the hands of crowned fools and witless diplomatists? Even if we were dumb and acquiescent before, does not the blood of our sons now cry out to us that this foolery should cease? We have let these people send our sons to death.

It is you and I who must stop these wars, these massacres of boys.

Massacres of boys! That indeed is the essence of modern war. The killing off of the young. It is the destruction of the human inheritance, it is the spending of all the life and material of the future upon present-day hate and greed. Fools and knaves, politicians, tricksters, and those who trade on the suspicions and thoughtless, generous angers of men, make wars; the indolence and modesty of the mass of men permit them. Are you and I to suffer such things until the whole fabric of our civilisation, that has been so slowly and so laboriously built up, is altogether destroyed?

When I sat down to write to you I had meant only to write to you of your son and mine. But I feel that what can be said in particular of our loss, need not be said; it can be understood without saying. What needs to be said and written about is this, that war must be put an end to and that nobody else but you and me and all of us can do it. We have to do that for the love of our sons and our race and all that is human. War is no longer human; the chemist and the metallurgist have changed all that. My boy was shot through the eye; his brain was blown to pieces by some man who never knew what he had done. Think what that means!… It is plain to me, surely it is plain to you and all the world, that war is now a mere putting of the torch to explosives that flare out to universal ruin. There is nothing for one sane man to write to another about in these days but the salvation of mankind from war.

Now I want you to be patient with me and hear me out. There was a time in the earlier part of this war when it was hard to be patient because there hung over us the dread of losses and disaster. Now we need dread no longer. The dreaded thing has happened. Sitting together as we do in spirit beside the mangled bodies of our dead, surely we can be as patient as the hills.

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Alfred Noyes: When they talked of war, they thought of sawdust, not of blood


Anti-war essays, poems, short stories and literary excerpts

Alfred Noyes: Selections on war


Alfred Noyes
From The Wine Press: A Tale of War (1913)


They were cleanly groomed. They were
not to be bought.
And their cigars were good.
But they had pulled so many strings
In the tinselled puppet-show of kings
That, when they talked of war, they thought
Of sawdust, not of blood;

Not of the crimson tempest
Where the shattered city falls:
They thought, behind their varnished doors,
Of diplomats, ambassadors,
Budgets, and loans and boundary-lines,
Coercions and re-calls;

Forces and Balances of Power;
Shadows and dreams and dust;
And how to set their bond aside
And prove they lied not when they lied,
And which was weak, and which was strong,
But – never which was just.

Yet they were honest, honest men.
Justice could take no wrong.
The blind arbitrament of steel,
The mailed hand, the armoured heel,
Could only prove that Justice reigned
And that her hands were strong.

For they were strong. So might is right,
And reason wins the day.
And, if at a touch on a silver bell
They plunged three nations into hell,
The blood of peasants is not red
A hundred miles away.

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Jean Ingelow: And the dove said, “Give us peace!”


Anti-war essays, poems, short stories and literary excerpts

Jean Ingelow: Methought the men of war were even as gods


Jean Ingelow
Give Us Love And Give Us Peace


One morning, oh! so early, my beloved, my beloved,
All the birds were singing blithely, as if never they would cease;
‘Twas a thrush sang in my garden, “Hear the story, hear the story!”
And the lark sang, “Give us glory!”
And the dove said, “Give us peace!”

Then I listened, oh! so early, my beloved, my beloved,
To that murmur from the woodland of the dove, my dear, the dove;
When the nightingale came after, “Give us fame to sweeten duty!”
When the wren sang, “Give us beauty!”
She made answer, “Give us love!”

Sweet is spring, and sweet the morning, my beloved, my beloved;
Now for us doth spring, doth morning, wait upon the year’s increase,
And my prayer goes up, “Oh, give us, crowned in youth with marriage glory,
Give for all our life’s dear story,
Give us love, and give us peace!”

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William Black: Better small farms, thriving and prosperous, than splendid ruins that tell of the fierceness of war


Anti-war essays, poems, short stories and literary excerpts

William Black: Military glory, the most mean, the most cruel and contemptible thing under the sun!

William Black: When Caesar’s legions turn on him


William Black
From Sunrise (1881)


“Well, at all events, you don’t find it very picturesque as compared with other countries. Evelyn tells me you have travelled a great deal.”

“Perhaps I am not very fond of picturesqueness,” Natalie said, modestly. “When I am travelling through a country I would rather see plenty of small farms, thriving and prosperous, than splendid ruins that tell only of oppression and extravagance, and the fierceness of war.”

No one spoke; so she made bold to continue – but she addressed Lady Evelyn only.

“No doubt it is very picturesque, as you go up the Rhine, or across the See Kreis, or through the Lombard plains, to see every height crowned with its castle. Yes, one cannot help admiring. They are like beautiful flowers that have blossomed up from the valleys and the plains below. But who tilled the land, that these should grow there on every height? Are you not forced to think of the toiling wretches who labored and labored to carry stone by stone up the crest of the hill? They did not get much enjoyment out of the grandeur and picturesqueness of the castles.”

“But they gave that labor for their own protection,” Lady Evelyn said, with a smile. “The great lords and barons were their protectors.”

“The great lords and barons said so, at least,” said the girl, without any smile at all, “and I suppose the peasantry believed them; and were quite willing to leave their vineyards and go and shed their blood whenever the great lords and barons quarrelled among themselves.”

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Charles Dickens: Waging war to perpetuate slavery

Anti-war essays, poems, short stories and literary excerpts

Charles Dickens
From American Notes (1842)

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The upholders of slavery in America – of the atrocities of which system, I shall not write one word for which I have not had ample proof and warrant – may be divided into three great classes…

The second, consists of all those owners, breeders, users, buyers and sellers of slaves, who will, until the bloody chapter has a bloody end, own, breed, use, buy, and sell them at all hazards: who doggedly deny the horrors of the system in the teeth of such a mass of evidence as never was brought to bear on any other subject, and to which the experience of every day contributes its immense amount; who would at this or any other moment, gladly involve America in a war, civil or foreign, provided that it had for its sole end and object the assertion of their right to perpetuate slavery, and to whip and work and torture slaves, unquestioned by any human authority, and unassailed by any human power; who, when they speak of Freedom, mean the Freedom to oppress their kind, and to be savage, merciless, and cruel; and of whom every man on his own ground, in republican America, is a more exacting, and a sterner, and a less responsible despot than the Caliph Haroun Alraschid in his angry robe of scarlet.


When we were seated in the little ferry-boat, and were crossing the swollen river immediately before both cataracts, I began to feel what it was: but I was in a manner stunned, and unable to comprehend the vastness of the scene. It was not until I came on Table Rock, and looked – Great Heaven, on what a fall of bright-green water! – that it came upon me in its full might and majesty.

Then, when I felt how near to my Creator I was standing, the first effect, and the enduring one – instant and lasting – of the tremendous spectacle, was Peace. Peace of Mind, tranquillity, calm recollections of the Dead, great thoughts of Eternal Rest and Happiness: nothing of gloom or terror. Niagara was at once stamped upon my heart, an Image of Beauty; to remain there, changeless and indelible, until its pulses cease to beat, for ever.

Oh, how the strife and trouble of daily life receded from my view, and lessened in the distance, during the ten memorable days we passed on that Enchanted Ground! What voices spoke from out the thundering water; what faces, faded from the earth, looked out upon me from its gleaming depths; what Heavenly promise glistened in those angels’ tears, the drops of many hues, that showered around, and twined themselves about the gorgeous arches which the changing rainbows made!


Shall we cry shame on the brutality of those who hamstring cattle: and spare the lights of Freedom upon earth who notch the ears of men and women, cut pleasant posies in the shrinking flesh, learn to write with pens of red-hot iron on the human face, rack their poetic fancies for liveries of mutilation which their slaves shall wear for life and carry to the grave, breaking living limbs as did the soldiery who mocked and slew the Saviour of the world, and set defenceless creatures up for targets! Shall we whimper over legends of the tortures practised on each other by the Pagan Indians, and smile upon the cruelties of Christian men! Shall we, so long as these things last, exult above the scattered remnants of that race, and triumph in the white enjoyment of their possessions? Rather, for me, restore the forest and the Indian village; in lieu of stars and stripes, let some poor feather flutter in the breeze; replace the streets and squares by wigwams; and though the death-song of a hundred haughty warriors fill the air, it will be music to the shriek of one unhappy slave.

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Émile Zola: Bloody pages of history, the wars, the conquests, the names of the captains who had butchered their fellow-beings.


Anti-war essays, poems, short stories and literary excerpts

Émile Zola: Selections on war


Émile Zola
From Truth (1902)
Translated by Ernest A. Vizetelly


From the very outset Marc combated the system by which violence, terror, and folly were inculcated in so many children. The right of the stronger, massacre, carnage, the devastation and razing of cities – all those things were set before the young, glorified in books, pictures, and constant, almost hourly, lessons. Great was the display of the bloody pages of history, the wars, the conquests, the names of the captains who had butchered their fellow-beings. The minds of children were enfevered by the crash of arms, by nightmares of slaughter steeping the plains in blood. In the prize books given to them, in the little papers published for their perusal, on the very covers of their copy-books, their eyes encountered the savagery of armies, the burning of fleets, the everlasting calamity of man sinking to the level of a wolf…In that manner one fashioned only slaves, flesh flt to serve the master’s capricious purposes. And indeed that education of blind faith and perpetual extermination was based on the necessity of ever having soldiers ready to defend the established and iniquitous order of things.

Yet what an antiquated idea it was to cultivate human energy by lessons of warfare! It corresponded with the times when the sword alone decided questions between nation and nation, and between kings and their subjects. But nowadays, if nations still guard themselves – as they do, in formidable fashion, full of anxious dread lest everything should collapse – who will dare to say that victory will rest with the warlike nations? Who, on the contrary, cannot see that the triumphant nation of to-morrow will be that which defeats the others on the economic fleld, by reorganising the conditions of human toil, and by bringing more justice and happiness to mankind?


The narrow doctrine that one’s sole purpose should be to make soldiers of Frenchmen filled him with grief and anger. On the morrow of the disasters of 1870 such a programme may have had its excuse; and yet all the unrest of years and years, the whole abominable crisis of the present times has proceeded from that programme, from having placed one’s supreme hope in the army, from having abandoned the democracy to military leaders. If it be still necessary to guard oneself, surrounded as one is by neighbours in arms, it is yet more necessary to become workers, free and just citizens, such as those to whom to-morrow will belong. On the day when France knows it and wills it, on the day when she becomes a nation freed from error, the armour-plated empires around her will crumble beneath the breath of truth and justice emanating from her lips – a breath which will achieve that which can never be accomplished by all her armies and her guns. Nations awaken nations, and on the day when, one by one, the nations rise, enlightened, instructed by example, the world will witness the victory of peace, the end of war. Marc could imagine for his country no more splendid role than that of hastening the day when all countries would mingle in one. Thus he kept a strict watch over his pupils’ books, replacing as far as possible all pictures and descriptions of spurious miracles and bloody battles by others which dealt with the truths of science and the fruitful labours of mankind.

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Stephen Spender: Automata controlled by the mechanism of war, meaningless struggle between potential ashes to gain a world of ashes


Anti-war essays, poems, short stories and literary excerpts

Stephen Spender: Selections on war


Stephen Spender
From World Within World (1948)


Although the air raids stopped, or happened only at rare intervals, this picture of the aeroplane over the huge plain with the people concealed in crevices, can be enlarged to a vision of the new phase of the domination and threat by machine-power politics, which the world had now entered and which did not end with the peace. The aeroplane filled ever widening circles in the minds of people beneath it; but the pilot and even the officers who commanded him at bases, their masters in governments and the vanquished and victors of the war, were diminished, until it seemed that they no longer had wills of their own, but were automata controlled by the mechanism of war.


From now on, the fate of individuals was more and more controlled by a public fate which itself seemed beyond control. For control implies not only merely putting a machine into motion, but also being able to make it stop: modern war is a machine easy to make start, but it can only be stopped at the moment when it has destroyed or been destroyed by another war machine. Control means being able to relate a program of action to the results of that action. Now we had arrived at a stage when a large part of the resources of great nations were poured into programs of which no one could foresee the results. All this was only leading to subsequent plans for making atomic and hydrogen bombs to defend East against West or West against East in a meaningless struggle between potential ashes to gain a world of ashes…


Lying awake during air raids I would think of the young pilots trained by both sides to believe that the destruction of a city was an abstract task or “precision bombing” without consideration of the people whose homes were being destroyed; of the young men being trained to the brutal enterprises of Commandos and Paratroopers; and of the children, either at the mercy of the bombers in the cities, or torn away and evacuated into the houses of strangers in the country. It seemed clear that – whatever the plans of governments – the peace would be a period of struggling to impose a pattern of reasonable behavior on a population that had been systematically demoralized…

How could the war result in anything but more bitterness and hatred, and a general acceptance of further wars, which would destroy all plans?

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Joseph Conrad: With earth soaked in blood, all men seek some formula of peace


Anti-war essays, poems, short stories and literary excerpts

Joseph Conrad: Selections on war


Joseph Conrad
From Under Western Eyes (1911)


There must be a wonderful soothing power in mere words since so many men have used them for self-communion. Being myself a quiet individual I take it that what all men are really after is some form or perhaps only some formula of peace. Certainly they are crying loud enough for it at the present day.


“I must own to you that I shall never give up looking forward to the day when all discord shall be silenced. Try to imagine its dawn! The tempest of blows and of execrations is over; all is still; the new sun is rising, and the weary men united at last, taking count in their conscience of the ended contest, feel saddened by their victory, because so many ideas have perished for the triumph of one, so many beliefs have abandoned them without support. They feel alone on the earth and gather close together. Yes, there must be many bitter hours! But at last the anguish of hearts shall be extinguished in love.”

And on this last word of her wisdom, a word so sweet, so bitter, so cruel sometimes, I said good-bye to Natalia Haldin. It is hard to think I shall never look any more into the trustful eyes of that girl – wedded to an invincible belief in the advent of loving concord springing like a heavenly flower from the soil of men’s earth, soaked in blood, torn by struggles, watered with tears.

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Alexander Kuprin: The human race has had its childhood – a time of incessant and bloody war


Anti-war essays, poems, short stories and literary excerpts

Russian writers on war

Alexander Kuprin: Selections on war


Alexander Kuprin
From The Duel (1905)
Translator unknown


“Yes, they are all alike, even the best and most tender-hearted among them. At home they are splendid fathers of families and excellent husbands; but as soon as they approach the barracks they become low-minded, cowardly, and idiotic barbarians. You ask me why this is, and I answer: Because nobody can find a grain of sense in what is called military service. You know how all children like to play at war. Well, the human race has had its childhood – a time of incessant and bloody war; but war was not then one of the scourges of mankind, but a continued, savage, exultant national feast to which daring bands of youths marched forth, meeting victory or death with joy and pleasure. The bravest, strongest, and most cunning was chosen as leader, and so long as success attended his banner, he was almost accorded divine worship, until at last he was killed by his subjects, in order to make room for a luckier and more powerful rival. Mankind, however, grew in age and wisdom; people got weary of the former rowdy, bloody games, and became more serious, thoughtful, and cautious. The old Vikings of song and saga were designated and treated as pirates. The soldier no longer regarded war as a bloody but enjoyable occupation, and he had often to be dragged to the enemy with a noose round his neck.


“But other times are coming, indeed have come. Yes, tremendous surprises and changes are about to take place. You remember my saying on one occasion that for a thousand years there has existed a genius of humanity that seldom reveals itself, but whose laws are as inexorable as they are ruthless; but the wiser men become, so much more deeply do they penetrate the spirit of those laws. And I am convinced that, sooner or later, everything in this world must be brought into equilibrium in accordance with these immutable laws. Justice will then be dispensed. The longer and more cruel the slavery has been, so much more terrible will be the day of reckoning for tyrants. The greater the violence, injustice, and brutality, so much more bloody will be the retribution. Oh, I am firmly convinced that the day will dawn when we ‘superior officers,’ we ‘almighty swells,’ darlings of the women, drones and brainless swaggerers, will have our ears boxed with impunity in streets and lanes, in vestibules and corridors, when women will turn their backs on us in contempt, and when our own affectionate soldiers will cease to obey us. And all this will happen, not because we have brutally ill-treated men deprived of every possibility of self-defence; not because we have, for the ‘honour’ of the uniform, insulted women; not because we have committed, when in a state of intoxication, scandalous acts in public-houses and public places; and not even because we, the privileged lick-spittles of the State, have, in innumerable battlefields and in pretty nearly every country, covered our standards with shame, and been driven by our own soldiers out of the maize-fields in which we had taken shelter…”

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Alfred Noyes: Slaughter! Slaughter! Slaughter!


Anti-war essays, poems, short stories and literary excerpts

Alfred Noyes: Selections on war


Alfred Noyes
From The Wine Press: A Tale of War (1913)


They had broken their hearts on the cold machines;
And – they had not seen their foe;
And the reason of this butcher’s work
It was not theirs to know;
For these tall young men were children
Five short years ago.

Headlong, headlong, down the hill,
They leapt across their dead.
Like madmen, wrapt in sheets of flame,
Yelling out of their hell they came,
And, in among their plunging hordes,
The shrapnel burst and spread.

The shrapnel severed the leaping limbs
And shrieked above their flight.
They rolled and plunged and writhed like snakes
In the red hill-brooks and the black thorn brakes.
Their mangled bodies tumbled like elves
In a wild Walpurgis night.

Slaughter! Slaughter! Slaughter!
The cold machines whirred on.
And strange things crawled amongst the wheat
With entrails dragging round their feet,
And over the foul red shambles
A fearful sunlight shone.


Down, into the valley of wheat,
And the warm dead that lay at their feet,
The men they had slaughtered, slaughtered, slaughtered,
Grinned up at their flight.


The black earth yawned like a crimson mouth,
And slaughter, slaughter, slaughter, slaughter,
The trenches belched their flame.
The maxims cracked like cattle-whips
Above the struggling hordes.
They rolled and plunged and writhed like snakes
In the trampled wheat and the black thorn brakes,
And the lightnings leapt among them
Like clashing crimson swords.

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John Dos Passos: Selections on war

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Sidney Lanier: Selections on war

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Émile Zola: The military, necessary apprenticeship for devastation and massacre


Anti-war essays, poems, short stories and literary excerpts

Émile Zola: Selections on war


Émile Zola
From Truth (1902)
Translated by Ernest A. Vizetelly


The army became merely the emblem of brute force upholding the thefts of ages, an impregnable wall of bayonets within whose shelter property and capital, duly gorged, might digest in security. The nation, the country, was the ensemble of abuses and iniquities which it was criminal to touch, the monstrous social edifice, not one beam of which must be changed for dread lest all should fall…


“The eight years I spent in the university penitentiary, where a man who believes in truth is allowed neither freedom of speech nor freedom of action, were not enough for them! They insist on robbing me of two more years, on shutting me up in their gaol of blood and iron, and reducing me to that life of passive obedience which is the necessary apprenticeship for devastation and massacre, the mere thought of which exasperates me!”


As a first step, he again got rid of all…books in which the supernatural was shown triumphant, and in which war, massacre, and rapine appeared as ideals of power and beauty. He considered that it was a crime to poison a lad’s brain with a belief in miracles, and to set brute force, assassination, and theft in the front rank as manly and patriotic duties. Such teaching could only produce imbecile inertia, sudden criminal frenzy, iniquity, and wretchedness. Marc’s dream, on the contrary, was to set pictures of work and peace before his pupils, to show sovereign reason ruling the world, justice establishing brotherliness among men, the ancient violence of warlike ages being condemned, and giving place to agreement among all nations, in order that they might arrive at the greatest possible happiness. And having rid his class of the poisonous ferments of the past, Marc particularly instructed his pupils in civic morality, striving to make each a citizen well informed about his country, and able to serve and love it, without setting it apart from the rest of mankind. Marc held that France ought no longer to dream of conquering the world by arms, but rather by the irresistible force of ideas, and by setting an example of so much freedom, truth, and equity, that she would deliver all other countries and enjoy the glory of founding with them the great confederation of free and brotherly nations.

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Women writers on peace and war

Anti-war essays, poems, short stories and literary excerpts

Women writers on peace and war

Maria Abdy: May the gentle Dove of Peace extend her snowy pinions o’er us

Lucy Aikin: Gentle Peace with healing hand returns

Lucy Aikin: Sickening I turn on yonder plain to mourn the widows and the slain

Joanna Baillie: And shall we think of war? 

Joanna Baillie: Do children return from rude jarring war?

Joanna Baillie: Thy native land, freed from the ills of war, a land of peace!

Isabella Banks: Absolve our souls from blood shed in our country’s cause

Isabella Banks: The bugle of war, the bugle of peace

Isabella Banks: “Glory, glory, glory!” As if murder were not sin!

Isabella Banks: Lay down weapons, war should cease

Anna Laetitia Barbauld: Peace and Shepherd

Anna Laetitia Barbauld: The storm of horrid war rolls dreadful on

Anna Laetitia Barbauld: War’s least horror is th’ ensanguined field

Charlotte Alington Barnard: Peace Hovers

Aphra Behn: No rough sound of war’s alarms

Aphra Behn: The pen triumphs over the sword

Elizabeth Bentley: On the return of celestial peace

Elizabeth Bentley: Terror-striking War shalt be banish’d far

Matilda Betham: All the horrid charms of war

Susanna Blamire: When the eye sees the grief that from one battle flows, small cause of triumph can the bravest feel

Mathilde Blind: All vile things that batten on disaster follow feasting in the wake of war

Mathilde Blind: Reaping War’s harvest grim and gory

Mathilde Blind: Widowing the world of men to win the world

Jane Bowdler: War’s deadly futility

Vera Mary Brittain: August, 1914

Elizabeth Barrett Browning: Exalt the name of Peace and leave those rusty wars that eat the soul

Elizabeth Barrett Browning: War’s human harvest

Caroline Clive: The bloody words of ruffian war

Elizabeth Cobbold: Earth’s bosom drenching with her children’s blood

Eliza Cook: Selections on peace and war

Eliza Cook: Crimson battlefield. When the world shall be spread with tombless dead.

Eliza Cook: I felt a shuddering horror lurk, to think I’d mingled in such work

Eliza Cook: No bloodstain lingers there. The plough and the spear.

Eliza Cook: Not where bullet, sword, and shield lie strown with the gory slain

Eliza Cook: Who can love the laurel wreath, plucked from the gory field of death?

Isabella Valancy Crawford: The Forging of the Sword

Charlotte Dacre: Peace

Charlotte Dacre: War

Emily Dickinson: I many times thought Peace had come

Augusta Theodosia Drane: It needs must be that gentle Peace prevail!

Marguerite Duras: The civilizing mission

Eleanor Farjeon: Now that you too join the vanishing armies

Eleanor Farjeon: Peace Poem

Margaret Fuller: America, with no prouder emblem than the Dove

Charlotte Perkins Gilman: The Flag of Peace

Ellen Glasgow: Selections on war

Ellen Glasgow: The Altar of the War God

Ellen Glasgow: His vision of the future only an endless warfare and a wasted land

Ellen Glasgow: The Reign of the Brute

Ellen Glasgow: “That killed how many? how many?”

Ellen Glasgow: Then the rows of dead men stared at him through the falling rain in the deserted field

Frances Ellen Watkins Harper: Do Not Cheer, Men Are Dying

Felicia Hemans: Selections on peace and war

Felicia Hemans: Say to the hurricane of war, – “Be still”

Felicia Hemans: Speak not of death, till thou hast looked on such

Felicia Hemans: A thousand voices echo “Peace!”

Felicia Hemans: Thousands doomed to moan, condemned by war to hopeless grief unknown

Felicia Hemans: War and Peace

Felicia Hemans: War has still ravaged o’er the blasted plain

Martha Lavinia Hoffman: The Song of Peace

Julia Ward Howe: Mother’s Day Proclamation 1870

Jean Ingelow: And the dove said, “Give us peace!”

Jean Ingelow: Methought the men of war were even as gods

Ellen Key: Overcoming the madness of a world at war

Harriet King: Life is Peace

Zofia Kossak: Every creature has its day. War and crocodiles.

Selma Lagerlöf: The Fifth Commandment. The Great Beast is War.

Selma Lagerlöf: The mark of death was on them all

Vernon Lee: Satan’s rules of war

Marie Lenéru: War is not human fate

Amy Lowell: A pattern called a war. Christ! What are patterns for?

Alice Meynell: The true slayers are those who sire soldiers

Edna St. Vincent Millay: Conscientious Objector

Mary Russell Mitford: Sheath thy gory blade in peace

Marianne Moore: I must fight till I have conquered in myself what causes war

Hannah More: War

Lilika Nakos: Selections on war

Lilika Nakos: The dead man, the living, the house; all were smashed to bits

Lilika Nakos: Do I know what makes men kill each other?

Lilika Nakos: Do you think the war will ever end?

Lilika Nakos: The grandmother’s sin

Lilika Nakos: “Surely God didn’t intend this butchery”

Lilika Nakos: “What’s the war got to do with God?”

Adela Florence Nicolson: Doubtless feasted the jackal and the kite

Zoé Oldenbourg: War provides a feast for the vultures

Amelia Opie: Grant, Heaven, those tears may be the last that war, detested war, shall cause!

Adelaide A. Procter: Let carnage cease and give us peace!

Charlotte Richardson: Once more let war and discord cease

Mary Robinson: Selections on war

Mary Robinson: Anticipate the day when ruthless war shall cease to desolate

Mary Robinson: Dread-destructive power of war

Mary Robinson: Impetuous War, the lord of slaughter

Mary Robinson: The soldier sheds, for gold, a brother’s blood

Mary Robinson: Spread once more the fostering rays of Peace

Mary Robinson: The wise shall bid, too late, the sacred olive rise

Christina Rossetti: They reap a red crop from the field. O Man, put up thy sword.

Gabrielle Roy: This was the hope that was uplifting mankind once again: to do away with war

George Sand: Trader in uniformed flesh and the religion of self

Olive Schreiner: Give me back my dead!

Olive Schreiner: The bestiality and insanity of war

Anna Seghers: War enthusiasm, brewed from equal parts of age-old memories and total oblivion

Anna Seward: Fierce War has wing’d the arrow that wounds my soul’s repose

Mary Shelley: The fate of the world bound up with the death of a single man

Edith Sitwell: Dirge for the New Sunrise

M. B. Smedley: Where is the ministry of peace?

Charlotte Turner Smith: The lawless soldiers’ victims

Charlotte Turner Smith: Statesmen! ne’er dreading a scar, let loose the demons of war

Charlotte Turner Smith: Thus man spoils Heaven’s glorious works with blood!

Charlotte Turner Smith: To bathe his savage hands in human blood

Sara Teasdale: Spring in War-Time

Edith Matilda Thomas: Air war: They are not humans.

Edith Matilda Thomas: The Altar of Moloch

Lesya Ukrainka: Do you understand that word called war?

Rebecca West: The dreams of Englishwomen during war

Phillis Wheatley: From every tongue celestial Peace resounds

Ellen Wheeler Wilcox: The Paean of Peace

Ella Wheeler Wilcox: A Plea To Peace

Helen Maria Williams: Heaven-born peace

Helen Maria Williams: Now burns the savage soul of war

Sarah Williams: Groaning for him they slew

Margaret L. Woods: The forgotten slain

Ann Yearsley: The anarchy of war

Marguerite Yourcenar: Fruits of war are food for new wars

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Alfred Neumann: Debunking the glory of twenty murderous years, the greatest mass-murderer in history


Anti-war essays, poems, short stories and literary excerpts

Alfred Neumann: Selections on war


Alfred Neumann
From Empire (1936)
Translated by Eden and Cedar Paul


Critical historiographers of a new school are appearing on the scene, thrusting aside eagles, battles, Grand’ Armée and gloire, limning the portrait of the political dictator. Since this portraiture is effected in the name of political liberty, it is a most disagreeable picture, surrounded by all the victims the hungry idol demanded, by the hecatombs of twenty murderous years – for the Consulate and the First Empire, taken together, last well-nigh twenty years. In the wake of this illuminating new science came popular pamphlets, not talking this time of murderous years, but of the greatest mass-murderer in history. Since, however, the web of which legend is woven is at once as tough as bunting and as tenuous as a fairy-tale, and so abundant that it waves wide and high above the realm of history, extending into the realm of fable and unreason, into the land of dreams – it is appropriate that poets of the new liberty should now appear upon the stage. They do not elucidate, do not criticise, do not revile, but paint a new picture of the legend, showing the reverse of the shield. No longer do they describe the War God and his archangels, but speak of the sacrificed masses, of the sorrows and the greatness of the common man, of the spurious enthusiasm and the real despair of the conscripts, of bivouacs, the horrors of the battlefield, burning sunshine, dist-storms, and ice cold. Closely associated with these, caressing them, come idylls, tales of the sweetness of life; of husband, wife, and children in their homes; of wheat waving in the wind before the little cottage – the joys of a quiet, untroubled, free and inconspicuous life, the joys of peace. –

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George Sand: Trader in uniformed flesh and the religion of self


Anti-war essays, poems, short stories and literary excerpts

Gustave Flaubert and George Sand: Monstrous conflicts of which we have no idea; warfare suppressed or civilization perishes


George Sand
From Monsieur Sylvestre (1866)
Translated by Francis George Shaw


“Sir,” said I, indignant, “did you buy these blacks on the coast of Guinea? ”

“You think, perhaps,” he replied, “that I have been in the trade? Well, why not? I have done everything, as I told you; and there is nothing wrong in it when you buy of people who sell their children, their servants, and their wives. If you pay, they are well satisfied; and I always did pay. There were some shabby fellows who traded with the blacks, and killed the sellers while they carried off the merchandize. But that was in old times; in my time the trade was fair…”

I reminded my uncle that he had not blamed me much for refusing as father-in-law a man who had traded in blacks, and that, consistently, he must excuse me for declining as mother-in-law a woman who had made such an extended traffic with whites. In reply to this judicious observation, my uncle wanted to kill me…

But this is quite another part of speech! My uncle, also, had traded in human flesh! Did you know it? I never knew anything about it, and I believe that, as he put nothing but his money into that kind of business, he may never have spoken of it to any one. How do you suppose I found it out here, after living with him twenty years, and never imagining anything of the kind? I brought with me some boxes, into which I had thrown my papers and letters when I left the house. In overhauling them I found an open letter which I suppose must have been lost by my uncle, picked up by a servant, and put among mine, on my table; I don’t know how else it could have got there. I looked it over without remarking the address, and was quite astonished at reading that there was a balance to my credit with the house of M. & Co. I was asking myself how this good luck could have befallen me, when I saw that the letter had reference to conscripts and substitutes, and that my uncle’s profits from the partnership had been so large as to constitute a great portion of the fortune he intended to leave to me…The source of my uncle’s fortune is, therefore, in some degree, subject to the same odium as M. Aubry’s and Mlle Irene’s…

Yes, my dear boy, I did know it, and thought that you knew it too; therefore I never mentioned it. Your uncle gained some hundreds of thousands of francs by becoming bondsman for a dealer in men. He did it without scruple, because he does not reflect, and is therefore liable unwittingly to commit a social crime, while intrenching himself behind his individual uprightness. He has been educated in the religion of self, and, provided he does honor to his signature and his word, he cares little whether his money goes to injure or to help humanity. This was why I was sorry when you deserted the wholesome ways of spiritual philosophy, which we were so pleasantly following together, to enter upon those of materialism, which is so closely allied nowadays, in many young minds, with absolute individualism. I was rather afraid, I confess, lest, even while protesting against the gross application which M. Pierinont openly makes of the principle of each for himself, you might allow yourself to become accustomed to look upon general evils with indifference. Assuredly, I am happy at finding my fears groundless, and, if my anxiety be not wholly dissipated, it is because I would like to see in you, in every respect, that intellectual antithesis which your protest ought to represent. You need to be this complete contrast to your uncle, in order not only to preserve your self-respect, but to produce something young and living. What can proceed from the negation of collective life? An apology for self? This does not interest others, and yet you must invite the public to become interested in your thought.

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Walter Pater: What are they all now, and the dust of their battles? Deity of Slaughter.

Anti-war essays, poems, short stories and literary excerpts

Walter Pater
From Marius the Epicurean (1881-1884)
(Translation of Marcus Aurelius by Pater)


“…Ah! from this higher place, look we down upon the ship-wrecks and the calm! Consider, for example, how the world went, under the emperor Vespasian. They are married and given in marriage, they breed children; love hath its way with them; they heap up riches for others or for themselves; they are murmuring at things as then they are; they are seeking for great place; crafty, flattering, suspicious, waiting upon the death of others: – festivals, business, war, sickness, dissolution: and now their whole life is no longer anywhere at all. Pass on to the reign of Trajan: all things continue the same: and that life also is no longer anywhere at all. Ah! but look again, and consider, one after another, as it were the sepulchral inscriptions of all peoples and times, according to one pattern. – What multitudes, after their utmost striving – a little afterwards! were dissolved again into their dust.”


“Bethink thee often, in all contentions public and private, of those whom men have remembered by reason of their anger and vehement spirit – those famous rages, and the occasions of them – the great fortunes, and misfortunes, of men’s strife of old. What are they all now, and the dust of their battles? Dust and ashes indeed; a fable, a mythus, or not so much as that. Yes! keep those before thine eyes who took this or that, the like of which happeneth to thee, so hardly; were so querulous, so agitated. And where again are they? Wouldst thou have it not otherwise with thee?

“Consider how quickly all things vanish away – their bodily structure into the general substance; the very memory of them into that great gulf and abysm of past thoughts…”


“When thou lookest upon a wise man, a lawyer, a captain of war, think upon another gone. When thou seest thine own face in the glass, call up there before thee one of thine ancestors – one of those old Caesars. Lo! everywhere, thy double before thee! Thereon, let the thought occur to thee: And where are they? anywhere at all, for ever?…

“As words once in use are antiquated to us, so is it with the names that were once on all men’s lips: Camillus, Volesus, Leonnatus: then, in a little while, Scipio and Cato, and then Augustus, and then Hadrian, and then Antoninus Pius…”


The arena, decked and in order for the first scene, looked delightfully fresh, re-inforcing on the spirits of the audience the actual freshness of the morning, which at this season still brought the dew. Along the subterranean ways that led up to it, the sound of an advancing chorus was heard at last, chanting the words of a sacred song, or hymn to Diana; for the spectacle of the amphitheatre was, after all, a religious occasion. To its grim acts of blood-shedding a kind of sacrificial character still belonged in the view of certain religious casuists, tending conveniently to soothe the humane sensibilities of so pious an emperor as Aurelius, who, in his fraternal complacency, had consented to preside over the shows.

Artemis or Diana, as she may be understood in the actual development of her worship, was, indeed, the symbolical expression of two allied yet contrasted elements of human temper and experience – man’s amity, and also his enmity, towards the wild creatures, when they were still, in a certain sense, his brothers. She is the complete, and therefore highly complex, representative of a state, in which man was still much occupied with animals, not as his flock, or as his servants after the pastoral relationship of our later, orderly world, but rather as his equals, on friendly terms or the reverse, – a state full of primeval sympathies and antipathies, of rivalries and common wants – while he watched, and could enter into, the humours of those “younger brothers,” with an intimacy, the “survivals” of which in a later age seem often to have had a kind of madness about them. Diana represents alike the bright and the dark side of such relationship. But the humanities of that relationship were all forgotten to-day in the excitement of a show, in which mere cruelty to animals, their useless suffering and death, formed the main point of interest. People watched their destruction, batch after batch, in a not particularly inventive fashion; though it was expected that the animals themselves, as living creatures are apt to do when hard put to it, would become inventive, and make up, by the fantastic accidents of their agony, for the deficiencies of an age fallen behind in this matter of manly amusement. It was as a Deity of Slaughter – the Taurian goddess who demands the sacrifice of the shipwrecked sailors thrown on her coasts – the cruel, moonstruck huntress, who brings not only sudden death, but rabies, among the wild creatures that Diana was to be presented, in the person of a famous courtesan. The aim at an actual theatrical illusion, after the first introductory scene, was frankly surrendered to the display of the animals, artificially stimulated and maddened to attack each other. And as Diana was also a special protectress of new-born creatures, there would be a certain curious interest in the dexterously contrived escape of the young from their mother’s torn bosoms; as many pregnant animals as possible being carefully selected for the purpose.

The time had been, and was to come again, when the pleasures of the amphitheatre centered in a similar practical joking upon human beings. What more ingenious diversion had stage manager ever contrived than that incident, itself a practical epigram never to be forgottten, when a criminal, who, like slaves and animals, had no rights, was compelled to present the part of Icarus; and, the wings failing him in due course, had fallen into a pack of hungry bears? For the long shows of the amphitheatre were, so to speak, the novel-reading of that age – a current help provided for sluggish imaginations, in regard, for instance, to grisly accidents, such as might happen to one’s self; but with every facility for comfortable inspection. Scaevola might watch his own hand, consuming, crackling, in the fire, in the person of a culprit, willing to redeem his life by an act so delightful to the eyes, the very ears, of a curious public. If the part of Marsyas was called for, there was a criminal condemned to lose his skin. It might be almost edifying to study minutely the expression of his face, while the assistants corded and pegged him to the bench, cunningly; the servant of the law waiting by, who, after one short cut with his knife, would slip the man’s leg from his skin, as neatly as if it were a stocking – a finesse in providing the due amount of suffering for wrong-doers only brought to its height in Nero’s living bonfires. But then, by making his suffering ridiculous, you enlist against the sufferer, some real, and all would-be manliness, and do much to stifle any false sentiment of compassion. The philosophic emperor, having no great taste for sport, and asserting here a personal scruple, had greatly changed all that; had provided that nets should be spread under the dancers on the tight-rope, and buttons for the swords of the gladiators. But the gladiators were still there. Their bloody contests had, under the form of a popular amusement, the efficacy of a human sacrifice; as, indeed, the whole system of the public shows was understood to possess a religious import. Just at this point, certainly, the judgment of Lucretius on pagan religion is without reproach –

Tantum religio potuit suadere malorum.

And Marius, weary and indignant, feeling isolated in the great slaughter-house, could not but observe that, in his habitual complaisance to Lucius Verus, who, with loud shouts of applause from time to time, lounged beside him, Aurelius had sat impassibly through all the hours Marius himself had remained there. For the most part indeed, the emperor had actually averted his eyes from the show, reading, or writing on matters of public business, but had seemed, after all, indifferent. He was revolving, perhaps, that old Stoic paradox of the Imperceptibility of pain; which might serve as an excuse, should those savage popular humours ever again turn against men and women. Marius remembered well his very attitude and expression on this day, when, a few years later, certain things came to pass in Gaul, under his full authority; and that attitude and expression defined already, even thus early in their so friendly intercourse, and though he was still full of gratitude for his interest, a permanent point of difference between the emperor and himself – between himself, with all the convictions of his life taking centre to-day in his merciful, angry heart, and Aurelius, as representing all the light, all the apprehensive power there might be in pagan intellect. There was something in a tolerance such as this, in the bare fact that he could sit patiently through a scene like this, which seemed to Marius to mark Aurelius as his inferior now and for ever on the question of righteousness; to set them on opposite sides, in some great conflict, of which that difference was but a single presentment. Due, in whatever proportions, to the abstract principles he had formulated for himself, or in spite of them, there was the loyal conscience within him, deciding, judging himself and every one else, with a wonderful sort of authority: – You ought, methinks, to be something quite different from what you are; here! and here! Surely Aurelius must be lacking in that decisive conscience at first sight, of the intimations of which Marius could entertain no doubt – which he looked for in others. He at least, the humble follower of the bodily eye, was aware of a crisis in life, in this brief, obscure existence, a fierce opposition of real good and real evil around him, the issues of which he must by no means compromise or confuse; of the antagonisms of which the “wise” Marcus Aurelius was unaware.

That long chapter of the cruelty of the Roman public shows may, perhaps, leave with the children of the modern world a feeling of self-complacency. Yet it might seem well to ask ourselves – it is always well to do so, when we read of the slave-trade, for instance, or of great religious persecutions on this side or on that, or of anything else which raises in us the question, “Is thy servant a dog, that he should do this thing?” – not merely, what germs of feeling we may entertain which, under fitting circumstances, would induce us to the like; but, even more practically, what thoughts, what sort of considerations, may be actually present to our minds such as might have furnished us, living in another age, and in the midst of those legal crimes, with plausible excuses for them: each age in turn, perhaps, having its own peculiar point of blindness, with its consequent peculiar sin – the touch-stone of an unfailing conscience in the select few.

Those cruel amusements were, certainly, the sin of blindness, of deadness and stupidity, in the age of Marius; and his light had not failed him regarding it. Yes! what was needed was the heart that would make it impossible to witness all this; and the future would be with the forces that could beget a heart like that. His chosen philosophy had said, – Trust the eye: Strive to be right always in regard to the concrete experience: Beware of falsifying your impressions. And its sanction had at least been effective here, in protesting -“This, and this, is what you may not look upon!” Surely evil was a real thing, and the wise man wanting in the sense of it, where, not to have been, by instinctive election, on the right side, was to have failed in life.


Peace! Pax! Pax tecum! – the word, the thought – was put forth everywhere, with images of hope, snatched sometimes from that jaded pagan world which had really afforded men so little of it from first to last; the various consoling images it had thrown off, of succour, of regeneration, of escape from the grave…


“At all events, the actual conditions of our life being as they are, and the capacity for suffering so large a principle in things – since the only principle, perhaps, to which we may always safely trust is a ready sympathy with the pain one actually sees – it follows that the practical and effective difference between men will lie in their power of insight into those conditions, their power of sympathy. The future will be with those who have most of it; while for the present, as I persuade myself, those who have much of it, have something to hold by, even in the dissolution of a world, or in that dissolution of self, which is, for every one, no less than the dissolution of the world it represents for him. Nearly all of us, I suppose, have had our moments, in which any effective sympathy for us on the part of others has seemed impossible; in which our pain has seemed a stupid outrage upon us, like some overwhelming physical violence, from which we could take refuge, at best, only in some mere general sense of goodwill – somewhere in the world perhaps. And then, to one’s surprise, the discovery of that goodwill, if it were only in a not unfriendly animal, may seem to have explained, to have actually justified to us, the fact of our pain. There have been occasions, certainly, when I have felt that if others cared for me as I cared for them, it would be, not so much a consolation, as an equivalent, for what one has lost or suffered: a realised profit on the summing up of one’s accounts: a touching of that absolute ground amid all the changes of phenomena, such as our philosophers have of late confessed themselves quite unable to discover. In the mere clinging of human creatures to each other, nay! in one’s own solitary self-pity, amid the effects even of what might appear irredeemable loss, I seem to touch the eternal. Something in that pitiful contact, something new and true, fact or apprehension of fact, is educed, which, on a review of all the perplexities of life, satisfies our moral sense, and removes that appearance of unkindness in the soul of things themselves, and assures us that not everything has been in vain.


He saw its legitimate place in the world given at last to the bare capacity for suffering in any creature, however feeble or apparently useless. In this chivalry, seeming to leave the world’s heroism a mere property of the stage, in this so scrupulous fidelity to what could not help itself, could scarcely claim not to be forgotten, what a contrast to the hard contempt of one’s own or other’s pain, of death, of glory even, in those discourses of Aurelius!


Not many months after the date of that epistle, Marius, then expecting to leave Rome for a long time, and in fact about to leave it for ever, stood to witness the triumphal entry of Marcus Aurelius…His triumph was now a “full” one – Justus Triumphus justified…Among the captives, amid the laughter of the crowds at his blowsy upper garment, his trousered legs and conical wolf-skin cap, walked our own ancestor, representative of subject Germany…

The world, certainly, had been holding on its old way, and was all its old self, as it thus passed by dramatically, accentuating, in this favourite spectacle, its mode of viewing things. And even apart from the contrast of a very different scene, he would have found it, just now, a somewhat vulgar spectacle. The temples, wide open, with their ropes of roses flapping in the wind against the rich, reflecting marble, their startling draperies and heavy cloud of incense, were but the centres of a great banquet spread through all the gaudily coloured streets of Rome, for which the carnivorous appetite of those who thronged them in the glare of the mid-day sun was frankly enough asserted. At best, they were but calling their gods to share with them the cooked, sacrificial, and other meats, reeking to the sky. The child, who was concerned for the sorrows of one of [200] those Northern captives as he passed by, and explained to his comrade—”There’s feeling in that hand, you know!” benumbed and lifeless as it looked in the chain, seemed, in a moment, to transform the entire show into its own proper tinsel. Yes! these Romans were a coarse, a vulgar people; and their vulgarities of soul in full evidence here…

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Ellen Glasgow: Selections on war

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John Dos Passos: Not wake up till the war was over and you could be a human being again


Anti-war essays, poems, short stories and literary excerpts

American writers on peace and against war

John Dos Passos: Selection on war


John Dos Passos
From Three Soldiers (1921)


Andrews was brushing the soft silk of a poppy petal against his face.

“I wonder if it’ld have any effect if I ate some of these,” he said.


“They say you go to sleep if you lie down in a poppy-field. Wouldn’t you like to do that, Chris, an’ not wake up till the war was over and you could be a human being again.”


There were tiny green frogs in one of the putty-colored puddles by the roadside. John Andrews fell out of the slowly advancing column a moment to look at them. The frogs’ triangular heads stuck out of the water in the middle of the puddle. He leaned over, his hands on his knees, easing the weight of the equipment on his back. That way he could see their tiny jewelled eyes, topaz-colored. His eyes felt as if tears were coming to them with tenderness towards the minute lithe bodies of the frogs. Something was telling him that he must run forward and fall into line again, that he must shamble on through the mud, but he remained staring at the puddle, watching the frogs. Then he noticed his reflection in the puddle. He looked at it curiously. He could barely see the outlines of a stained grimacing mask, and the silhouette of the gun barrel slanting behind it. So this was what they had made of him. He fixed his eyes again on the frogs that swam with elastic, leisurely leg strokes in the putty-colored water.

Absently, as if he had no connection with all that went on about him, he heard the twang of bursting shrapnel down the road. He had straightened himself wearily and taken a step forward, when he found himself sinking into the puddle. A feeling of relief came over him. His legs sunk in the puddle; he lay without moving against the muddy bank. The frogs had gone, but from somewhere a little stream of red was creeping out slowly into the putty-colored water. He watched the irregular files of men in olive-drab shambling by. Their footsteps drummed in his ears. He felt triumphantly separated from them, as if he were in a window somewhere watching soldiers pass, or in a box of a theater watching some dreary monotonous play. He drew farther and farther away from them until they had become very small, like toy soldiers forgotten among the dust in a garret. The light was so dim he couldn’t see, he could only hear their feet tramping interminably through the mud.


Andrews lay, comfortable in his cot, looking into the ward out of another world. He felt no connection with the talk about him, with the men who lay silent or tossed about groaning in the rows of narrow cots that filled the Renaissance hall. In the yellow glow of the electric lights, looking beyond the orderly’s twisted face and narrow head, he could see very faintly, where the beams of the ceiling sprung from the wall, a row of half-obliterated shields supported by figures carved out of the grey stone of the wall, handed satyrs with horns and goats’ beards and deep-set eyes, little squat figures of warriors and townsmen in square hats with swords between their bent knees, naked limbs twined in scrolls of spiked acanthus leaves, all seen very faintly, so that when the electric lights swung back and forth in the wind made by the orderly’s hurried passing, they all seemed to wink and wriggle in shadowy mockery of the rows of prostrate bodies in the room beneath them. Yet they were familiar, friendly to Andrews. He kept feeling a half-formulated desire to be up there too, crowded under a beam, grimacing through heavy wreaths of pomegranates and acanthus leaves, the incarnation of old rich lusts, of clear fires that had sunk to dust ages since. He felt at home in that spacious hall, built for wide gestures and stately steps, in which all the little routine of the army seemed unreal, and the wounded men discarded automatons, broken toys laid away in rows.

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